This post, for Maundy Thursday, is in a series for Lent to Easter, 2021 Passion dramas in the Lutheran tradition, designed for performance in church during Holy Week, generally adhere to the Biblical text of one of the four Gospels, much of it sung by a narrator: in this method, actual persons (Judas, Caiphas, Pilate, […]
Tag: recitative
One perfect harmony
Music sometimes addresses music itself: our love for it, our need of it, how it affects us, and how we respond to it — pertinent issues for each of us individually. One of the best examples of this is Hail! Bright Cecilia of 1692, an ode for St Cecilia’s Day (22 November), written by the […]
Crucified (Holy Week, Good Friday)
For Good Friday. This is the sixth post in a series for Holy Week and Easter Day, 2020. In Messiah, the significance of the crucifixion — from the ‘us’ perspective, for all people — is anticipated in powerful, anthem-like choruses using Isaiah’s words: Surely he hath borne our griefs and carried our sorrows … and […]
Weren’t you with him? (Holy Week, Thursday)
For Thursday of Holy Week. This is the fifth post in a series for Holy Week and Easter Day, 2020. Peter’s three-times denial of knowing Jesus, in the hours after Jesus had been arrested and was being interrogated, is one of the most affecting and deeply personal parts of the Passion story, confronting us individually. […]
Haydn, opening of Die Jahreszeiten (Vienna, 1801)
Join the discussion (registered users only) At the time of posting this (late March 2020), spring has already begun here in Ireland, yet more northern countries are still experiencing the bitter resistance that Haydn’s music describes as Winter clings on with malevolence. Warily we try to welcome Spring despite our deep concern about the coronavirus, […]