Tag: Lutheran

Concertos that laugh with joy

Some of the best concertos for multiple instruments were not called ‘concerto’ at all. Instead they take the form of a sinfonia or sonata or ouverture that opens a vocal composition, constructing the sonic tableau for the first scene, whether that scene is staged or unstaged. The church music of Johann Sebastian Bach provides many […]

Opening heaven’s door

Most Passion dramas, in their final scenes, carefully avoid hints of the events to follow on the third day: the only joy they sometimes convey comes from the dawning realization by the centurion at the crucifixion, that Jesus truly was the Son of God. The libretto published by Barthold Heinrich Brockes (see Thursday’s post) ends […]

These sacred hands

One of the seventeenth century’s most remarkable artistic creations concerning the Passion is the cycle of seven cantatas called Membra Jesu nostri patientis sanctissima (‘The most holy limbs of our suffering Jesus’), composed in Lübeck by Dietrich Buxtehude (c1637-1707). Buxtehude’s manuscript of the work is dated 1680 and dedicated to his friend Gustaf Düben, director […]

The Agnus Dei for Passiontide

This Sunday, the fifth in Lent, is sometimes called ‘Passion Sunday’, marking the start of the two weeks of Passiontide (the second being Holy Week). One of the most loved Passiontide songs is O Lamm Gottes, unschuldig (O Lamb of God, innocent), with a 500-year-old text and an even older tune. Both its words, from […]

Hope is arriving!

During Advent in 2020 we’ve experienced the stark contrast between increasing gloom — the worsening reach of the pandemic, severe political crises, economic dire straits, our separation from family and friends — and new-found hope now that vaccines are becoming available after the amazing scientific success that produced them. “Help is coming!” say our public-health […]

Weren’t you with him? (Holy Week, Thursday)

For Thursday of Holy Week. This is the fifth post in a series for Holy Week and Easter Day, 2020. Peter’s three-times denial of knowing Jesus, in the hours after Jesus had been arrested and was being interrogated, is one of the most affecting and deeply personal parts of the Passion story, confronting us individually. […]

Get in the scene! (Holy Week, Monday)

For Monday of Holy Week. This is the second post in a series for Holy Week and Easter Day, 2020. With this intense 10-minute opening movement of the Passion according to St John (Leipzig, Good Friday, 7 April 1724), Bach brings us — forcefully pushes us — into the drama of the events that led […]