Some of the best concertos for multiple instruments were not called ‘concerto’ at all. Instead they take the form of a sinfonia or sonata or ouverture that opens a vocal composition, constructing the sonic tableau for the first scene, whether that scene is staged or unstaged. The church music of Johann Sebastian Bach provides many […]
Tag: chorus
One perfect harmony
Music sometimes addresses music itself: our love for it, our need of it, how it affects us, and how we respond to it — pertinent issues for each of us individually. One of the best examples of this is Hail! Bright Cecilia of 1692, an ode for St Cecilia’s Day (22 November), written by the […]
Crucified (Holy Week, Good Friday)
For Good Friday. This is the sixth post in a series for Holy Week and Easter Day, 2020. In Messiah, the significance of the crucifixion — from the ‘us’ perspective, for all people — is anticipated in powerful, anthem-like choruses using Isaiah’s words: Surely he hath borne our griefs and carried our sorrows … and […]
Get in the scene! (Holy Week, Monday)
For Monday of Holy Week. This is the second post in a series for Holy Week and Easter Day, 2020. With this intense 10-minute opening movement of the Passion according to St John (Leipzig, Good Friday, 7 April 1724), Bach brings us — forcefully pushes us — into the drama of the events that led […]
Behold the Lamb (Holy Week, Sunday)
For Palm Sunday. This is the first post in a series for Holy Week and Easter Day, 2020. Palm Sunday, when we remember Christ’s entry into Jerusalem, is commonly celebrated with joyful praise, in emulation of how Jesus was welcomed with palms and loud cheers of ‘Hosanna to the son of David! Blessed is He […]
Weep with songs of sadness
Vox Luminis, performing in Auxi-le-Château in 2012. In these days and weeks many people are weeping, especially from heartbreak over the loss of loved ones, friends and colleagues as the COVID-19 epidemic increasingly takes many lives in many countries — in many cases lives cut short in their prime and before their time. For each […]
Haydn, opening of Die Jahreszeiten (Vienna, 1801)
Join the discussion (registered users only) At the time of posting this (late March 2020), spring has already begun here in Ireland, yet more northern countries are still experiencing the bitter resistance that Haydn’s music describes as Winter clings on with malevolence. Warily we try to welcome Spring despite our deep concern about the coronavirus, […]