Tag: aria

This post, for Maundy Thursday, is in a series for Lent to Easter, 2021 Passion dramas in the Lutheran tradition, designed for performance in church during Holy Week, generally adhere to the Biblical text of one of the four Gospels, much of it sung by a narrator: in this method, actual persons (Judas, Caiphas, Pilate, […]

One of the seventeenth century’s most remarkable artistic creations concerning the Passion is the cycle of seven cantatas called Membra Jesu nostri patientis sanctissima (‘The most holy limbs of our suffering Jesus’), composed in Lübeck by Dietrich Buxtehude (c1637-1707). Buxtehude’s manuscript of the work is dated 1680 and dedicated to his friend Gustaf Düben, director […]

Opera is often about love — its pleasures, its pain and its predicaments. Some of the most special moments are the rare duet-arias, where the solo honours are shared equally between two virtuoso singers. Typically the two characters, having fallen in love (at first sight, of course), express their happiness together and/or desire for each […]

For Thursday of Holy Week. This is the fifth post in a series for Holy Week and Easter Day, 2020. Peter’s three-times denial of knowing Jesus, in the hours after Jesus had been arrested and was being interrogated, is one of the most affecting and deeply personal parts of the Passion story, confronting us individually. […]

For Wednesday of Holy Week. This is the fourth post in a series for Holy Week and Easter Day, 2020. Isaiah 53:3: He was despised and rejected of men, a man of sorrows and acquainted with grief.Isaiah 50:6: He gave his back to the smiters, and his cheeks to them that plucked off the hair: […]